Back On The Streets
Digitally remastered and expanded edition includes live bonus tracks. 12 page full-color booklet with 3,000 word essay.
Don't be fooled by his look. Funny how rock music can hand success to a musician virtually overnight whilst other times it can take an eternity to achieve the same results. In 1980, Donnie's ship came sailing home with his debut solo album Back On The Streets and in particular the hit single 'Ah! Leah!'.
It was a classic song very much the sound of an era being somewhat pop but also resolutely rough and tough rock. It was also notice-able for it's huge wall of multilayered vocals consisting, some say, of approximately seventy overdubs giving it an instantly recognizable sound. Although Iris had been around the block a few times, the Cruisers were a project conceived to merge perfectly written and performed power pop with a classic early eighties sound.
Teaming up with partner Mark Avsec, the duo were co-conspirators of a sound that struck an immediate chord with radio and live audiences helping to position Donnie as a bright young thing amongst an exciting wave of new performers such as Loverboy, The Cars, and The Knack. Donnie's vocal style and the songs are surprisingly evocative of classic doo-wop set against a tougher '80s hard rock backdrop with stinging guitars and a powerful rhythm section blasting it into a new dimension.
Do not under any circumstances miss out on 'Too Young To Love', 'Joking' and the brilliantly arranged 'You're Only Dreaming' with it's layers of multi part harmonies and a brilliantly affected vocal from Donnie. This is indeed an album that just keeps on giving with every repeated spin.
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King Cool
Digitally remastered and expanded edition includes live bonus track. 12 page full-color booklet with 2500 word essay.
Second album from Donnie Iris (And The Cruisers) picking up momentum where his debut album left off. The surprise hit single of 'Ah! Leah!' from the previous year's Back On The Streets album positioned Donnie as a name to watch and, true to form, he did not fail to deliver on his promise.
Once again, the compositions are brilliantly executed allowing him and partner in crime Mark Avsec to craft a selection of unique and melodically stunning tracks which set the Cruisers apart from the competition. Once again, the trademark sound of lush multi-layered vocals permeates all of the songs evoking comparisons to (but not copying) the glorious doo-wop and blue-eyed soul with close harmonies and arrangements that truly catapult the tracks into the stratosphere.
Of course, Donnie's lead vocals are fabulously addictive, leaving no stone unturned in crafting exquisite detail and courting accolades from every corner of the musical spectrum. All this was conceived during and after a particularly harrowing plagiarism lawsuit firmly dismissed without merit but dragging on for months in the courts. Despite the aggravation and disturbance of the court action Donnie and the band, concocted a terrific collection of songs including the brilliant title track, 'That's The Way Love Ought To Be' and 'Broken Promises'. Each track is sprinkled with oodles of overdubbed vocal harmonies further defining Donnie's trademark sound at a time when uniformity was busily dumbing down the scene.
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The High And The Mighty
Digitally remastered and expanded edition includes live bonus track. 12 page full-color booklet with 2,500 word essay.
Despite chalking up a bona fide hit single with 'Ah Leah!', and an exceptional debut album, Donnie Iris And The Cruisers career had not exactly exploded to superstar status. This despite a distinctly excellent follow-up album, King Cool, rammed with potential hit singles that were presented in a luscious style with hints of classic old school rock but blessed with a smooth AOR sheen.
Not shrinking from their duty, MCA gave Donnie And The Cruisers their blessing to advance to a third album, the aptly titled The High And The Mighty a record that brought Donnie and the band's music more into focus than ever. Recorded, once again, at a local studio in Pennsylvania, the album continued to mine their musical path with ease. But it wasn't without hiccups as at one point they noticed that the master tape was beginning to shred in the tape machine.
This was due to a manufacturing fault so confronted by the horror of losing their recorded work the band moved to a New York studio with the technology to fix the problem. Thankfully, all was not lost and the record was completed without further issue. The bottom line was that the music and songwriting had not suffered. Indeed, the album remains another essential brick in the Cruisers wall of excellence.
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Fortune 410
Digitally remastered and expanded edition includes live bonus track. 12 page full-color booklet with 2,000 word essay.
With three albums under his belt, Donnie Iris and the band were feeling pressure to deliver a knockout punch. MCA had stood by him through thick and thin - and let's face it, most of it was pretty thin - but there was a belief that he was just one song away from making a major breakthrough.
Of course, musically the band had never been more on top of their game, crafting songs that in another time and place really ought to have propelled them to bigger success. For Fortune 410, it was decided to move from their local studio in Pennsylvania to record in Cleveland, Ohio, closer to the home of main songwriter/keyboard player Mark Avsec. Fortune 410 is their most concise and enjoyable album. It was also a record that saw the band embrace computer technology but not in a wacky experimental way.
The sound became more processed but still retained an edge of perfect pure pop, with some of their most expressive vocals and songs, like 'Stagedoor Johnny', 'I'm A User', 'Do You Compute' and the insanely catchy 'Cry (If you Want To)', paving the way for a tidal wave of praise from fans. And the album title? Well, that was the style of Donnie's black horn-rimmed glasses... The same, in fact, as Buddy Holly's!
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