Post subject: [2019-09-13] Bryan Beller (The Aristocrats) "Scenes From The Flood" 2CD double album with many guests (Onion Boy)
Posted: Wed Jul 10, 2019 9:54 pm
Boney Fingers Jones
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Got a sneak peek at this at Aristocamp last month, Bryan is very proud of it. Check out that guest list! Wish it would be available at the NYC Aristocrat show in August but it looks like it comes out in September.
_________________ "Every day a little sadder, A little madder, Someone get me a ladder."
ELP
“You can't have everything. Where would you put it?”—Steven Wright
Post subject: [2019-09-13] Bryan Beller (The Aristocrats) "Scenes From The Flood" 2CD double album with many guests (Onion Boy)
Posted: Thu Aug 29, 2019 9:56 pm
Boney Fingers Jones
Joined:
03 Aug 2006
Posts:
40800
Location:
Sunny Massapequa Park, NY
Bryan Beller on working with Guthrie:
GUTHRIE GOVAN: (The Aristocrats, Hans Zimmer, Steven Wilson)
At this point, I have arguably spent more time working in the studio with Guthrie Govan than with anyone else appearing on “Scenes From The Flood”. (Probable exception: Mike Keneally.) Imagine my surprise, then, when it was Guthrie’s feature that ended up being the only track on the entire album where we recorded it, tweaked it, and finished the mix of the whole song…only for us both to realize it was The Wrong Sound, and we needed to scrap it and start over!
Resetting a bit here: The song “Sweet Water” – the 17th and final “full” song of the entire “Scenes From The Flood” journey - asks the question: After everything happens, can you go home again? When I finished the demo for it (which took three solid weeks), it almost sounded to me like a throwback to something from the end of one of my first two albums. Griff Peters was the guitarist for both of those sonic journeys from the 2000’s. The only other guitarist I know who can hear so many different variations and ways to play one single note, and take such care doing so, is Guthrie Govan. Everyone knows that Guthrie is one of the most inventive and fearless improvisers of any guitarist playing today, and his technical prowess and stylistic range are quite literally limitless. That being said, it was the more intimate knowledge of his melodic expressiveness - developed during our time together in The Aristocrats, and specifically through collaborating on guitar ballads like “Flatlands” and “Through The Flower” - that made me realize that, for the bittersweet finale of this particular album, it simply *had* to be Guthrie Govan on the lead and solo of “Sweet Water”.
Thus began a process that developed over six months, as we engaged in extremely detailed conversations about guitars, pickups, amps, and anything else we could think of to make sure this extremely sensitive melody and moment in the album was going to be The Right Thing. Many, many files were exchanged over a long period of time. Perhaps it was a case of tunnel vision, or just a mutual mania over trying to get it “right” as opposed to just letting Guthrie be Guthrie, but somehow on December 22, 2018, we ended up with a supposedly final mix that we both listened back to, and went…NOPE. And that’s when we started over.
Four weeks later, Guthrie delivered a completely reworked version of the melody parts, and once we brought it back into the mix, we both knew it had been worth doing twice. Finally, with the melody settled, Guthrie threw himself into the solo, and knocked out one of the greatest guitar solos I’ve ever heard in my life…in just two shots. Once we agreed that everything was, at last, as it should be, it was settled: Tracking on “Scenes From The Flood” was complete. Guthrie’s solo on “Sweet Water” was the very last thing to come in.
Guthrie Govan (Official)
_________________ "Every day a little sadder, A little madder, Someone get me a ladder."
ELP
“You can't have everything. Where would you put it?”—Steven Wright
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