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 Post subject: Steven Wilson
PostPosted: Sun Dec 30, 2018 12:06 am 
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New article on Steven Wilson in the latest SOS (Sound on Sound) magazine on his mastering prowess.

Prog-rock wunderkind Steven Wilson is using his studio skills to give legendary rock albums a new lease of life.

"The equivalent of polishing the Sistine Chapel, that's what I feel I'm doing sometimes with these classic records." Steven Wilson is talking about his remixing work, which he began in 2009 as a sideline to his very successful career as a musician and producer. So far, he's polished classic records by King Crimson, Roxy Music, Jethro Tull, Yes, XTC, Tears For Fears and more, creating new stereo and 5.1 surround mixes that have been generally praised by fans and critics.

He says this sideline has grown to take up maybe a fifth of his working life, and has recently developed a laptop setup that means he can do much of his remixing during otherwise dead time on his extensive tours. So far this year, he's played over 60 concerts in Europe and North America, with a further 60 or so slated toward the end of 2018 and into 2019 in Japan, Australasia, North America and Europe.

"If I've got a couple of days off in a hotel and time to kill," Wilson says, "I can load up an album remix project and start to piece it together. I can't create definitive mixes, and obviously I can't do the surround mixes, but I can do a good 60 percent of the work sitting in a hotel or dressing room: editing, compiling, getting basic balances, figuring out stereo placement on the original mixes. So although I'm busier than ever in my own career, I'm managing to maintain the remix work too. I'm becoming more selective about what I take on, though, because I'm in the fortunate position of being offered more and more projects. But then I've only ever wanted to remix things that I have an affinity with, whether it's an album I grew up listening to, or one that I can genuinely say I love — and with nearly all the projects I've taken on, both are true."
Five Steps To Audio Heaven

A typical Steven Wilson remix goes through five stages. First, he receives a commission from a record label or a management company; the choice of album is often connected to a meaningful anniversary, or to an artist gaining new rights to their back catalogue, or a back catalogue being acquired by a different label.

Next, the commissioning company locates the relevant multitracks, which is not necessarily a straightforward task. "For example, at one point I was asked if I wanted to remix the back catalogue of a legendary rock band, but they just couldn't find enough of the tapes," Wilson says. The other factor here is fiscal: every visit to the tape library or archive is usually at a cost to the company. When the tapes are located, they are baked, directly transferred to 96kHz, 24-bit digital files, and supplied to Wilson as a complete set of raw WAV files. "So if there's 10 minutes of test tones on the tape, I'll get that," he explains, "or if there's 10 minutes of silence at the end of the reel, or of the band tuning up, that...


The rest of the article is available online if you subscribe to SOS, which I don't....


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 Post subject: Steven Wilson
PostPosted: Thu Jan 31, 2019 9:03 am 
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https://www.premierguitar.com/articles/ ... ilson-2019

Rig Rundown: Steven Wilson.

What makes Steve sound so good on stage. A look into his pedal board on tour.

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 Post subject: Steven Wilson
PostPosted: Sat Mar 02, 2019 11:28 pm 
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And so finally the To the Bone tour comes to an end. 14 months and 145 shows performed to over a quarter of a million people in 33 different countries. Even though I'm ready for it to end and to get back to working on new things, it's been a wonderful journey with some very special people. I gave up long ago telling the band they gave 110% after gigs, because they basically gave 110% at *every* show. So my humble gratitude to Adam Holzman, Alex Hutchings, Craig Blundell, and Nick Beggs for playing the music with such dexterity, commitment and soul every night, for being such wonderful touring companions and for putting up with me! I wish them the very best with their next projects.
The show was also quite a technical feat to stage every night and behind every spectacular show is a spectacular crew. So I owe a massive debt of gratitude to Tonto, Ian Bond, Karma Auger, Dave Taylor, Tellson James and Dan Oswald for making the show look and sound as good as it did, sometimes under incredible pressure and limitations. To "Lord" Dave Salt for tour managing the mind blowing logistics of the whole thing (plus to Mike Scoble for stepping in when Dave wasn't available) and to Adam Mussett (Europe) and Megan Harrell (America) for handling the merchandise. To all the bus and truck drivers; Darren, Anja, Elvis, Richard, James, Steve, James and Brad for getting us and the equipment safely to our destinations in all sorts of inclement weather conditions.
Finally in the "without whom" department, not present on the tour but just as essential to making it what it was, are my friend and fellow architect in designing the show, visual genius Lasse Hoile, and Jess Cope for once again creating incredible animated visuals.
And last but not least; if you came to any of the shows, then I thank you from the bottom of my heart for your continued support and enthusiasm for the music, you were a big part of this too.
Now I'm going home.... S xxx

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 Post subject: Steven Wilson
PostPosted: Sun Mar 03, 2019 12:06 am 
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Great, now take a long rest and let's back to the archival projects.

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 Post subject: Steven Wilson
PostPosted: Sun Mar 03, 2019 12:23 am 
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I love Music & hate brickwalled audio

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Rick A wrote:
Great, now take a long rest and let's back to the archival projects.


:ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes: :ohyes:

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 Post subject: Steven Wilson
PostPosted: Tue Mar 19, 2019 4:32 am 
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Boney Fingers Jones

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Location: Sunny Massapequa Park, NY
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My Bass Communion project now has its own Bandcamp page, where much of the discography is now available to listen to and purchase digitally (more releases will be added soon). https://basscommunion.bandcamp.com

For those of you who aren't familiar with Bass Communion, this is my ambient / noise / experimental project, which has been active since the mid 90's, and now has 9 albums, several EPs, a box set, and a number of collaborative works to its name, across both vinyl and CD formats. Very rarely are synthesisers used, most of the source material comes from recordings of things such as percussion, piano, guitar, choir, and a lot of old 78 records! Many of the albums focus on one or two single sound sources, such as Molotov and Haze which uses only guitar, and Pacific Codex which uses only recordings of metal percussion. While a lot of the physical releases are still available to purchase from outlets such as Burning Shed, many others were small editions that have long since sold out, so the Bandcamp page makes the music more permanently available for those who wish to explore it.

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"Every day a little sadder,
A little madder,
Someone get me a ladder."


ELP

“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Tue Mar 19, 2019 7:14 am 
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Nominated IMWAN's "Wet Blanket" for 2021

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JohnG wrote:
Click for full size

My Bass Communion project now has its own Bandcamp page, where much of the discography is now available to listen to and purchase digitally (more releases will be added soon). https://basscommunion.bandcamp.com

For those of you who aren't familiar with Bass Communion, this is my ambient / noise / experimental project, which has been active since the mid 90's, and now has 9 albums, several EPs, a box set, and a number of collaborative works to its name, across both vinyl and CD formats. Very rarely are synthesisers used, most of the source material comes from recordings of things such as percussion, piano, guitar, choir, and a lot of old 78 records! Many of the albums focus on one or two single sound sources, such as Molotov and Haze which uses only guitar, and Pacific Codex which uses only recordings of metal percussion. While a lot of the physical releases are still available to purchase from outlets such as Burning Shed, many others were small editions that have long since sold out, so the Bandcamp page makes the music more permanently available for those who wish to explore it.

I was halfway through this post thinking this was JohnG hyping his own releases until I realized this was actually a quote by Steven Wilson! Boy, am I stupid! :lol:

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 Post subject: Steven Wilson
PostPosted: Wed Mar 20, 2019 8:25 pm 
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A peak inside Steven Wilson's laboratory as he works on the new 5.1 remix of The Crimson King coming by the end of the year. Robert Fripp approves of his work. :thumbsup:

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Someone get me a ladder."


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“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Sat Sep 14, 2019 4:17 pm 
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Congrats to Steven Wilson who got married today! Now we might get some happy music out of him. :D

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Someone get me a ladder."


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 Post subject: Steven Wilson
PostPosted: Sat Sep 14, 2019 8:03 pm 
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JohnG wrote:
Congrats to Steven Wilson who got married today! Now we might get some happy music out of him. :D

Image



So beautiful, Congrats Steve!

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 Post subject: Steven Wilson
PostPosted: Fri Sep 20, 2019 12:28 am 
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Boney Fingers Jones

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Yes, Steven Wilson got married over the weekend. The 51 year old confirmed bachelor finally got snagged by a girl.

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A little madder,
Someone get me a ladder."


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“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Fri Sep 20, 2019 12:32 am 
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Boney Fingers Jones

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Someone get me a ladder."


ELP

“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Fri Sep 20, 2019 11:25 am 
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JohnG wrote:
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Yes, Steven Wilson got married over the weekend. The 51 year old confirmed bachelor finally got snagged by a girl.


It happens to the best of us :)


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 Post subject: Steven Wilson
PostPosted: Thu Oct 03, 2019 4:33 pm 
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Location: Chapel Hill, NC
For any Steven Wilson fans with just under 2 hours to kill, here's a very good sounding audience recording of a great show from The Bottom Line in NYC in June 2001, in support of Lightbulb Sun. I went through my ticket stubs last night and confirmed that this was my first Porcupine Tree concert. It's nice to have an audio document of that night. Enjoy.


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 Post subject: Steven Wilson
PostPosted: Thu Oct 03, 2019 5:48 pm 
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Boney Fingers Jones

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Wow Rich, I was there too! Had become a PT fan over the past year and found out they were playing in NYC and had to see them. Dragged my wife down there to see this extremely obscure (at the time) band. She has ended up seeing them and Steven Wilson many times. Back then talking to the roadie/merch guy was very interesting. Most of the cool PT stuff was on vinyl.

It is a now legendary show. :thumbsup:

To think this is how they started in the USA and would eventually play Radio City Music Hall!

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"Every day a little sadder,
A little madder,
Someone get me a ladder."


ELP

“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Sun Oct 06, 2019 9:53 pm 
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Joined: 15 Nov 2006
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Location: Chapel Hill, NC
JohnG wrote:
Wow Rich, I was there too! Had become a PT fan over the past year and found out they were playing in NYC and had to see them. Dragged my wife down there to see this extremely obscure (at the time) band. She has ended up seeing them and Steven Wilson many times. Back then talking to the roadie/merch guy was very interesting. Most of the cool PT stuff was on vinyl.

It is a now legendary show. :thumbsup:

To think this is how they started in the USA and would eventually play Radio City Music Hall!

John, that's cool that we were at the same show years before we met here on IMWAN. I think I had discovered Porcupine Tree around 1999 after reading about them in some prog fanzine and finding a copy of Signify. I quickly bought Stupid Dream and Lightbulb Sun and was thrilled when they played at The Bottom Line. I saw them a few years later when they played at Irving Plaza. Still great, but that first show holds a special place in my heart. Glad I got to see them with Chris Maitland, who's a great drummer.

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 Post subject: Steven Wilson
PostPosted: Sun Oct 06, 2019 10:09 pm 
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Boney Fingers Jones

Joined: 03 Aug 2006
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Location: Sunny Massapequa Park, NY
richman666 wrote:
JohnG wrote:
Wow Rich, I was there too! Had become a PT fan over the past year and found out they were playing in NYC and had to see them. Dragged my wife down there to see this extremely obscure (at the time) band. She has ended up seeing them and Steven Wilson many times. Back then talking to the roadie/merch guy was very interesting. Most of the cool PT stuff was on vinyl.

It is a now legendary show. :thumbsup:

To think this is how they started in the USA and would eventually play Radio City Music Hall!

John, that's cool that we were at the same show years before we met here on IMWAN. I think I had discovered Porcupine Tree around 1999 after reading about them in some prog fanzine and finding a copy of Signify. I quickly bought Stupid Dream and Lightbulb Sun and was thrilled when they played at The Bottom Line. I saw them a few years later when they played at Irving Plaza. Still great, but that first show holds a special place in my heart. Glad I got to see them with Chris Maitland, who's a great drummer.



yep. also was at the Irving Plaza show right up by the stage (standing room only room). I also think they played there with Opeth as an opening act. Then they got bigger and began playing the Sony PlayStation (Nokia) Theater or Terminal 5 or the Beacon.
I also enjoyed Chris Maitland and was surprised he left but obviously Gavin Harrison did turn out to be one heck of a drummer (now with King Crimson).

_________________
"Every day a little sadder,
A little madder,
Someone get me a ladder."


ELP

“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Sun Oct 06, 2019 10:17 pm 
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Posts: 6228
Location: Chapel Hill, NC
JohnG wrote:
richman666 wrote:
JohnG wrote:
Wow Rich, I was there too! Had become a PT fan over the past year and found out they were playing in NYC and had to see them. Dragged my wife down there to see this extremely obscure (at the time) band. She has ended up seeing them and Steven Wilson many times. Back then talking to the roadie/merch guy was very interesting. Most of the cool PT stuff was on vinyl.

It is a now legendary show. :thumbsup:

To think this is how they started in the USA and would eventually play Radio City Music Hall!

John, that's cool that we were at the same show years before we met here on IMWAN. I think I had discovered Porcupine Tree around 1999 after reading about them in some prog fanzine and finding a copy of Signify. I quickly bought Stupid Dream and Lightbulb Sun and was thrilled when they played at The Bottom Line. I saw them a few years later when they played at Irving Plaza. Still great, but that first show holds a special place in my heart. Glad I got to see them with Chris Maitland, who's a great drummer.



yep. also was at the Irving Plaza show right up by the stage (standing room only room). I also think they played there with Opeth as an opening act. Then they got bigger and began playing the Sony PlayStation (Nokia) Theater or Terminal 5 or the Beacon.
I also enjoyed Chris Maitland and was surprised he left but obviously Gavin Harrison did turn out to be one heck of a drummer (now with King Crimson).

Maitland is a great drummer but Harrison is on a completely other level. That guy is a genius. My favorite drummer who has played with Steven Wilson is Marco Minnemann. I know you've seen him multiple times, including with The Aristocrats. The guy is amazing and I've never seen anyone exude so much joy playing their instrument. Maybe Verdine White of Earth Wind & Fire comes close.

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 Post subject: Steven Wilson
PostPosted: Sun Oct 06, 2019 10:31 pm 
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Boney Fingers Jones

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yes one of the highlights of my life was having dinner this past June in Upstate NY with Marco, Chad Wackerman and Francis Dunnery as they told rock n roll stories that had us rolling on the floor. Marco is a great guy and his drum clinic was just outstanding as he played with Chad.

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Someone get me a ladder."


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 Post subject: Steven Wilson
PostPosted: Tue Dec 24, 2019 11:12 am 
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Boney Fingers Jones

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Quote:
So goodbye 2019 and cheerio to another decade. This was an amazing year for me thanks to the biggest and happiest event of my life, getting married to the love of my life and gaining 2 lovely step-daughters! And I want to once again thank everyone for the wonderful well wishes you sent our way.

If it seems like it was a quiet year for me professionally, rest assured I haven't stopped working. A new album is pretty much finished, so there will be a lot of news and information coming soon. As I'm sure most of you know I have already announced 8 arena shows in the UK, Germany, France, The Netherlands, Italy and Poland for next September. I'm doing something on a whole different scale this time, possibly something I'll never be able to do again! So if you like what I do, dare I say that these "event" shows are not to be missed. Get tickets here: https://bnds.us/zbfxzn

These days most new artists apparently focus on finding a single song that will impact big on Spotify and YouTube, to the point that an album is often an afterthought or simply not released at all. And maybe these artists have the right idea - in this world ruled by the internet and social media, most people don't have the time or inclination to engage with a whole album, and playlist culture renders the flow of an album redundant anyway. But even if it's stylistically something different, as usual my new record is most definitely an album intended to be listened to as a sequence of songs, and I feel confident most of you are going to like it a lot.

One of the wonderful things about music and listening tastes is that they continue to evolve. A lot of rock fans claim music isn't as good or innovative as it used to be, and while I have to concede they're probably right, I think that's because the golden era for rock has passed and the real innovation is now happening in genres that don't focus on guitars, bass and drums (and I myself wonder what more there is left to say with these things, but I'm always happy to be proved wrong). This year one of the commercially successful songs I really liked was Bury a Friend by Billie Eilish - because it's brilliant, but also because the production was so sonically fresh. Maybe not surprising that it was recorded by someone not out of her teens to whom the era of classic rock music probably doesn't mean a lot.

Something that is a return to the "old days" is albums becoming shorter and more concise again. It seems most people don't have the time or patience to listen to long albums anymore (perhaps they never did, most of the acknowledged classic albums are around the 35-45 minute mark). Maybe this is the reason that at 35 minutes in length, the new no-man album Love You to Bits, our first album in more than 10 years, has been the best received we've made since our very early days when we were briefly the next big thing with the music press. I'm very proud of it, and I hope you enjoyed it, and most importantly when it ended after 35 minutes you wanted to put it on again, rather than feeling exhausted by it! Another album myself and Tim Bowness co-produced this year under the "no-man" guise was Tim's solo album Flowers at the Scene, a wonderful and eclectic record, and for me his best.

Way back in 2002, rock music was still a big deal, and that was the year that Porcupine Tree recorded and released In Absentia. Although the album wasn't so successful at the time, I'm happy to say it has since become a widely admired and influential album and has some of my best and most popular songs, so the forthcoming February release of a 4 disc deluxe edition of the album is timely. Alongside the remastered album, B-sides / EP tracks from the era, and a disc of demos and unrecorded songs, is a brand new 2 hour documentary by Lasse Hoile, and a beautiful book with copious notes, photos and a detailed essay by Stephen Humphries.

I was once again involved in several archival projects for other artists this year. One I'm very proud of is the massive 18 disc TANGERINE DREAM box set In Search of Hades, which covers the band's imperial 70's years on Richard Branson's Virgin label. It features copious unreleased jewels, including a previously unissued album from 1974 that for me is right up there with their best work. My remixes of classic albums by XTC, King Crimson and Jethro Tull also came out and were gratifyingly well received. Although I've not taken on any further remixing work while I've been occupied with my new record, there's still a backlog from the last few years, things that for whatever reason didn't get the green light, and at least one of these will finally be issued on vinyl in the Spring (news soon).

Other things that emerged this year were an archival vinyl EP of my previously unknown collaborative project from the late 80's / early 90's God, and 3 Bass Communion releases of both new and reissued music.

Finally a mention of a few things from this year that I really liked, with the usual caveat that what I heard or saw was only a tiny fraction of what came out, so feel free to suggest your own 2019 favourites; the Joker Movie, the TV series Chernobyl HBO, and new albums by Bill Callahan, Sunn O))), Floating Points, Raime, Thom Yorke, Swans, Jim O'Rourke, Lucy Rose, and Prince (the "new" album Originals).

Whichever holiday it is you are celebrating at this time of year I hope you have a great one, and my very best wishes for a wonderful 2020! I look forward to seeing you somewhere during the year. I thank you again for your continued support, you are the best! SW

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"Every day a little sadder,
A little madder,
Someone get me a ladder."


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“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Tue Mar 10, 2020 6:38 pm 
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Boney Fingers Jones

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Location: Sunny Massapequa Park, NY
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"Every day a little sadder,
A little madder,
Someone get me a ladder."


ELP

“You can't have everything. Where would you put it?”—Steven Wright


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 Post subject: Steven Wilson
PostPosted: Tue Mar 10, 2020 8:08 pm 
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I love Music & hate brickwalled audio

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JohnG wrote:
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Is this the new album, or..........?

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