luelyron wrote:
What were you asked to do with Doctor Strange back in 1978? I noticed the first story was more of a traditionally superhero type plot, compared to the cosmic Starlin-connected saga before. I imagine DEFENDERS was doing pretty well at that time and I enjoyed Namor's appearance in, what, 32 & 33? (And which came first, Dreamweaver the villainess or the song:)
I really enjoyed Englehart's work when I found it in ESSENTIALS years later; how did his approach figure into yours as you started your run?
One morning Archie Goodwin walked into the Bullpen, told me that Jim Starlin was leaving DOCTOR STRANGE, and asked if I wanted to write the book. Basically, he wanted me to keep the book going and not break it...and I did my best.
The story that Jim has started was so complex that it took me two issues to wrap it up. After all of that cosmic stuff, I thought it best to follow it up with something a little more down-to-Earth...which is why I wrote the one-parter with Nighthawk and Deathstalker.
Oh, and Gerry Rafferty's song
Dreamweaver was the inspiration for the character.
Steve's DOC was undoubtedly a high-water mark for Doc, but I always tried to get a little more of the Lee-Ditko feel in my stories.
Quote:
Thank you, your Spidey stuff cheered me up when I was a child who knew he couldn't bug Mom for a comic every time we popped to the store, but who went out and played many adventures based on your stories.
Oh! I started getting a little dosh for my straight A's and chores just in time for Amazing Spider-Man #250. I was just hypnotized!

Quote:
P.S. Ever hear from Cat Yronwode these days? I loved her letters.
I last spoke with cat at a Chicago Con...must be over 25 years ago.
-- Uncle Rog
