Renny wrote:
i always felt that to be psychedelic you had to have the effect of the 2 speakers (channels) to get the full experience, especially if you had a producer who liked to play with the board.
mono and psychedelic just never seem to go together...for me at least.
Most of the original 1960s psychedelic albums are very different experiences in mono, for example
Sgt. Pepper and
Piper At The Gates Of Dawn. The mono mixes are more extreme, more creative, more of what the artists themselves (not just the producers or the engineers) intended. I've never heard the Prunes' albums in mono, but would expect that the same holds true for them.