
1. Good Morning Today
2. You Ain't Goin' Nowhere
3. You've Got to Hide Your Love Away
4. Green, Green Grass of Home
5. Hey, Babe, Open Up Your Mind
6. You Better Sit Down, Kids
7. Spanish Harlem Incident
8. Bye Bye, Love
9. The Renegade
10. Gotta Come Up with Something
11. Keep On Keeping On
Bonus Singles
12. Excuse Me, Dear Martha
13. I Believed It All
14. Morning Dew
15. It’s All Right
16. Louisiana Man
17. Tomorrow Proper
18. Remember Susie
19. Creole Woman
20. Leavin’
21. High on Life
22. Till You Hear Your Mama Call
http://www.amazon.com/dp/B00A8F0HD2/?tag=imwan-20From the label:
Quote:
• Pozo Seco Was Country Superstar- to-Be Don Williams and Susan Taylor (a.k.a. Taylor Pie)
• Shades was produced by Elliot Mazer (Neil Young, Janis Joplin) and Bob Johnston (Bob Dylan, Simon & Garfunkel)
• Eleven Bonus Single Sides Included
• Liner Notes by Tom Pickles Include Exclusive Quotes from Taylor Pie
• Remastered by Vic Anesini at Battery Studios in NYC
• CD Debut
A little bit folk, a little bit country and a little bit rock with a healthy dollop of sunshine pop, the Pozo Seco Singers never hit it big—despite the fact that they launched the career of country superstar Don Williams—but their recordings remain highly coveted by collectors of all three styles. This album, released in 1968, featured a new, slimmed down version of the group and the group name, as the departure of Lofton Klein spurred the remaining duo of Williams and Susan Taylor (a.k.a. Taylor Pie) to drop the “Singers” from their moniker and to move in a more topical, rock-oriented direction. And, guided by the superstar producing team of Elliot Mazer (Neil Young, Janis Joplin) and Bob Johnston (Bob Dylan, Simon & Garfunkel), the duo succeeded in making a genuine cult classic, one that’s somehow eluded CD reissue until now. We’ve added no less than 11 single sides (nine mono, two stereo) to the original stereo version of this album, all remastered by Vic Anesini at Battery Studios, while Tom Pickles’ notes feature fresh quotes from Taylor Pie. The harmonies between Williams and Taylor are truly sublime—they’re one of the truly great, unsung male-female combos in ‘60s pop.