Looks good.....I'm in.

I've seen 4 Joe Jackson Trio in New York over 2008-2009 - all very good. It's great that the put the Beatles on this and 2 other covers. At least during the US tours, he saved one rotating spot in the setlist for cover songs, including the above 3 (I only saw Scray Monsters), Frank Zappa's "Dirty Love" (which I'm glad I caught), Steely Dan's "Reelin' In The Years" (I didn't), and ABBA's "Knowing Me Knowing You" (I saw this at the Apollo Theater, and he said that it was probably the whitest thing ever done there )

I would have preferred a 2 disc set.

The only artist I continue to buy LIVE stuff from. Always a surprise to be found.

I love Joe Jackson but, like other artists that follow this path, I fear this is another sign of creative bankruptcy on his part.

MR: This particular album is a culmination of recordings from your tour in 2010, right?

JJ: That's right.

MR: And for this tour, you went out as the Joe Jackson Trio with Graham Maby on bass, Dave Houghton on drums.

JJ: Yeah, great guys, I enjoyed that.

MR: You're also popping up on TV, recently appearing with The Roots on Late Night with Jimmy Fallon. What was that like?

JJ: That was very cool, actually. I really enjoyed playing with them, and I think a lot of other people enjoyed it too. It was a treat.

MR: On this new album, you have quite a few tracks from your catalog, including "Got The Time," which was covered by Anthrax, right?

JJ: Yeah, actually they did do a cover, though I could never quite understand why they were called a "speed metal" band because we played the song about twice as fast as they did. (laughs)

MR: (laughs) That's true. Going through this tracklist, you also perform your song "Steppin' Out" that also appeared in a little game called Grand Theft Auto.

JJ: Yeah, it did.

MR: Have you taken a peek to see how it's used in the game?

JJ: No, actually I haven't. I was very happy to take the money for it though. (laughs)

MR: (laughs) Now, this project was recorded live with no overdubs or fixes. Does that add any extra pressure to you during a show knowing that each of the tracks may wind up on the album untouched?

JJ: I don't really think about it too much. But that's one thing that's really great about the technology that we have available now because we were able to record the entire tour. I mean, in the not too distant past, you'd have to hire a big expensive recording studio in a truck to come out and record the shows if you were lucky enough to be able to afford it. But in this case, our sound guy was able to record every show on the tour just by bringing along a couple of extra microphones and a hard drive or two. So, I think we were very fortunate in having a lot of material to choose from.

MR: I can imagine that would be great because your set lists has to change fairly regularly, right?

JJ: They do change quite a bit. We don't do the same songs every night. We don't even do the same songs the same way every night. But there were certain songs that we played a lot because I was thinking all along that I might want to use them for a live record. For the most part, the album came down to choosing between the handful of versions of each song.

MR: Did you also do any video recording of any of your performances?

JJ: No, we didn't.

MR: You performed many originals on this tour, but you also did some pretty great covers. How did you choose those songs, for instance, what made you choose The Beatles' "Girl"?

JJ: Well, choosing covers for me is all about whether I think that I can bring something different to the song and put a new slant on it. I can't think of anything more pointless than doing a cover version and just trying to imitate the original. So, there's really two things involved--the first is that the song has to inspire me in a way that I think I can do the song in a different way, and the other thing is that it has to fit me vocally. I'm not the most confident singer in the world, it's the hardest thing for me out of everything I do. I'm better at it than I used to be, I think, but it's only every now and again that a song comes up that I feel I can sing in a convincing way.

MR: Joe, you've got a terrific voice, what are you talking about?

JJ: (laughs) Well, thanks.

MR: I also love your cover of David Bowie's "Scary Monsters," possibly even more than the original. What inspired you to change the arrangement in the way you did?

JJ: I don't know if I can really explain it. A lot of it came from trying to use a trio to our advantage, using the bare minimum and making it sound as varied and interesting and big as we can. I just try to go about that in different ways and always try new things.

MR: Have some of these covers been in your head for some time, like maybe your version of Ian Dury's "Inbetweenies"?

JJ: Yeah, I'm a huge fan of Ian Dury. He was not an artist that gets covered very much. Actually, that was my drummer's suggestion to do that song, and it works very nicely. I actually got an email from (Ian's) band The Blockheads. They're still trying to keep going, which I think they find difficult because as great a band as they are, it's really hard to keep going when the leader of the band dies.

MR: Right. Now, once you've chosen a song to cover or even when you shake up your originals, do you get together with Dave and Graham and figure out arrangements together? Does everyone have some idea of how the arrangement should sound?

JJ: It's a little less democratic than that. (laughs) The arrangements are pretty much mine. Of course, these guys do make a huge contribution. But primarily, the arrangements come from me.

MR: Having played together for so long, is it easy for you guys to play and anticipate each other's musical inclinations?

JJ: Yeah, of course, and even though I say that I'm the arranger, a large part of the decision and creative process comes from knowing these guys and knowing what their strengths are musically and giving them parts that I think are going to suit them, so they really do make a very big contribution.