Vampire Weekend's third album will be released this spring, according to a Q magazine article posted on the Team Vampire Weekend fan tumblr. Frontman Ezra Koenig called the still-untitled new record "darker" and more "organic," saying it feels like the end of a trilogy. "It really does feel like the third chapter in a book," Koenig told Q. "We created some characters on the first record, some of which are real people, some of which are ourselves, so it's not hard to keep following them and see what their concerns are now and how their lives have changed."
Koenig pointed to the fast nature of the Internet as a reason for the three-year gap between the new effort and their last record, Contra. "Something new comes out and there's a frenzy and then you see how quickly it can all disappear," he said. "You can have a year or two based on being of the moment but beyond that, you're only as good as your songs."
The time off between discs was essential, he added. "If someone had put a gun to our heads a year ago, we could have handed something in and it wouldn't have sucked," said Koenig. "But if we listen back to our own work and it doesn't sound the way we wanted, the depression that sets in is really extreme. So releasing a record that we didn't feel 100 percent about would commit us to a year of depression, touring a half-assed record."
Ezra Koenig and Rostam Batmanglij of Vampire Weekend
There's a whisper of relief in Ezra Koenig's voice as the singer-guitarist says that Vampire Weekend's third album is almost complete after more than 20 months of writing and recording. "Sometimes we thought maybe we were done," Koenig says. "But it's always very apparent when you're not." Producer and multi-instrumentalist Rostam Batmanglij, the other half of the band's core writing duo, chuckles knowingly.
Vampire Weekend – Koenig and Batmanglij, plus drummer Chris Tomson and bassist Chris Baio – have never taken this long to make a record. "There was a certain point where we kind of knew deep down that it didn't quite feel right," says Koenig, who's putting some final mixing touches on the disc (due out in the spring) at Manhattan's Downtown Music Studios with Batmanglij. "We knew it could be better."
Last January, they had a breakthrough. The duo holed up in Batmanglij's Brooklyn apartment one day, and in less than six hours they had written "Unbelievers" – a jittery pop tune on par with fan favorites like 2009's "Cousins." That spring, a four-day writing retreat at a friend's house in Martha's Vineyard yielded three more strong new tracks, including the spare, spooky "Hudson." "We tried all different ways of working," says Koenig, "little by little, until we reached a point where we could feel awesome about every song."
They headed to L.A. last summer to work with producer Ariel Rechtshaid, a longtime friend whose credits range from the 2006 Plain White T's smash "Hey There Delilah" to tracks he worked on with Diplo for Usher and Snoop Lion. Working with Rechtshaid at a vintage-gear-packed studio built in the 1930s, they turned toward a more organic sound. "The moment we hit a snare drum, we could tell it was the right room," says Rechtshaid. Adds Koenig, "Things that we might have found boring in the past, we've started to find more fresh. This record has more piano and acoustic guitar and organ. But at the same time, that means we needed to find ways to flip it."
The rockabilly-styled highlight "Diane Young," for instance, includes a section where Koenig's voice is digitally modulated so he sounds like a pompadoured robot on the fritz. "We've never wanted to be one of those bands that's just reviving something," says Batmanglij. "I think with this album, we've had to be less self-conscious than ever."
Vampire Weekend will release their long-awaited third album on May 7th, the band announced on Twitter. No title has been chosen for the record, which the band simply referred to as "LP3."
The band has been working on the follow-up to 2010's Contra for more than 20 months, frontman Ezra Koenig told Rolling Stone in a recent interview. It's the longest Vampire Weekend have ever spent on an album, with Koenig admitting, "There was a certain point where we kind of knew deep down that it didn't quite feel right. We knew it could be better."
After a few breakthrough writing sessions – including the one that produced "Unbelievers," which the band debuted on Jimmy Kimmel Live! in November – the group flew to Los Angeles to work with producer and longtime friend Ariel Rechtshaid, working in a studio built in the 1930s and filled with vintage gear. "Things that we might have found boring in the past, we've started to find more fresh," said Koenig. "This record has more piano and acoustic guitar and organ. But at the same time, that means we needed to find ways to flip it."
Rostam Batmanglij, the other half of Vampire Weekend's core writing duo, added, "We've never wanted to be one of those bands that's just reviving something. I think with this album, we've had to be less self-conscious than ever."
Vampire Weekend Announces 'Modern Vampires Of The City' Album Submitted by jason.lipshutz on Mon, 2013-02-04 11:45
Indie rockers reveal more tour dates to support their third album.
After revealing last month [1] that their third album was due out on May 7, the boys of Vampire Weekend have offered some more details of the follow-up to "Contra," as well as their first round of new tour dates.
"Modern Vampires Of The City" will be released through XL Recordings, and its 12-song track list includes titles like "Obvious Bicycle," "Everlasting Arms," and Outkast shout-out "Ya Hey." "Unbelievers," a new track that debuted on "Jimmy Kimmel Live" [2] last October, has also made the cut.
Vampire Weekend has also added a slew of tour dates to its previously announced Coachella gig. After returning to the stage at South By Southwest next month, the group will kick off a west-coast run on Apr. 12; perform shows in London and Paris on may 8 and 10; and return to North American on May 16. The band will also tape an episode of Austin City Limits while in town for SXSW.
The New York band has hinted at a new album for over a year, telling fans that the album was almost complete during their headlining set at last year's Pitchfork Music Festival. Vampire Weekend's two full-lengths, 2008's "Vampire Weekend" and "Contra," have sold nearly 1.2 million combined copies, according to Nielsen SoundScan.
Here are Vampire Weekend's upcoming tour dates:
Mar. 13-16: Austin, TX - SXSW Apr. 12: Las Vegas, NV - The Cosmopolitan Apr. 14: Indio, CA - Coachella Apr. 16: Davis, CA - Freeborn Hall at UC Davis Apr. 17: Oakland, CA - Fox Theater Apr. 21: Indio, CA - Coachella May 8: London, UK - The Troxy May 10: Paris, FR - Casino De Paris May 15: Boston, MA - Agganis Arena May 16: Toronto, ONT - Sony Centre May 17: Detroit, MI - The Fillmore Detroit May 19: Kansas City, MO - Midland Theater May 20: Denver, CO - Red Rocks Amphitheatre (co-headline with Of Monsters And Men) May 21: Salt Lake City, UT - Red Butte Garden Amphitheater May 23: Portland, OR - Keller Auditorium
Vampire Weekend’s new album is titled Modern Vampires of the City BY ALEX YOUNG ON FEBRUARY 4TH, 2013 IN NEWS, TOUR DATES
Update: The band has confirmed the title, plus revealed the album cover, tracklist, and dates for a U.S. tour. It looks like they’re playing Sasquatch!
This morning, Vampire Weekend advised fans on Twitter to check the classified section of this morning’s New York Times. Sure enough, as Pitchfork points out, there is an entry in the “Lost and Found” column advertising, “Modern Vampires of the City, May 7, 2013.”
Of course, the band’s new album is already slated for a May 7th release via XL Recordings. And the letters MVOTC are pasted at the bottom of the band’s website, and appear in the the cryptic GIF posted below, which the band recently posted on their Tumblr. As SPIN points out, the other characters in the GIF signify the band’s name (VW), their third album (LPIII), the year (MMXIII), and their label (XL).
So presumably, Modern Vampires of the City is in fact the title of the band’s third album, which is one hundred times better than Martha’s Vineyard on the Cape.
Modern Vampires of the City Tracklist: 01. Obvious Bicycle 02. Unbelievers 03. Step 04. Diane Young 05. Don’t Lie 06. Hannah Hunt 07. Everlasting Arms 08. Finger Back 09. Worship You 10. Ya Hey 11. Hudson 12. Young Lion
Vampire Weekend 2013 Tour Dates: 03/13-16 – Austin, TX @ South by Southwest 04/12 – Las Vegas, NV @ The Cosmpopolitan * 04/14 – Indio, CA @ Coachella Music Festival 04/16 – Davis, CA @ UC Davis (Freeborn Hall) * 04/17 – Oakland, CA @ Fox Theater 04/21 – Indio, CA @ Coachella Music Festival 05/08 – London, UK @ The Troxy 05/10 – Paris, FR @ Casino de Paris 05/15 – Boston, MA @ Agganis Arena 05/16 – Toronto, ON @ Sony Centre for Performing Arts 05/17 – Detroit, MI @ The Fillmore 05/19 – Kansas City, MO @ Midland Theater 05/20 – Morrison, CO @ Red Rocks Amphitheater # 05/21 – Salt Lake City, UT @ Red Butte Garden Amphitheatre 05/23 – Portland, OR @ Keller Auditorium
Post subject: [2013-05-14] Vampire Weekend "Modern Vampires Of The City" (XL)
Posted: Tue Feb 19, 2013 12:16 am
Joined:
24 Sep 2006
Posts:
26163
These guys are so great. There are so many acts from the 2000's that I think are fantastic like Vampire Weekend, The Strokes, Phoenix, Mumford And Sons, Keane, Bloc Party, Arctic Monkeys, Joe Bonamassa, Ghost, The Darkness, Air, Adele, The XX, Dresden Dolls, etc.-all different styles of music but I just don't see how anyone can say today's music sucks.
_________________ "We have a great bunch of outside shooters. Unfortunately, all our games are played indoors."—College Basketball player Weldon Drew
Post subject: [2013-05-14] Vampire Weekend "Modern Vampires Of The City" (XL)
Posted: Wed Mar 20, 2013 8:17 am
Joined:
23 Jul 2006
Posts:
17632
Location:
Florida
Invisible Pedestrian wrote:
These guys are so great. There are so many acts from the 2000's that I think are fantastic like Vampire Weekend, The Strokes, Phoenix, Mumford And Sons, Keane, Bloc Party, Arctic Monkeys, Joe Bonamassa, Ghost, The Darkness, Air, Adele, The XX, Dresden Dolls, etc.-all different styles of music but I just don't see how anyone can say today's music sucks.
I agree IP, sorry to report I do not have anything on these guys. What do they have now, 3 albums? Should I start from first release and work to current?
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